Musical Artist – Foxos Music http://foxosmusic.com/ Thu, 13 Jan 2022 01:00:19 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://foxosmusic.com/wp-content/uploads/2021/06/ICON-1.png Musical Artist – Foxos Music http://foxosmusic.com/ 32 32 Sony Music takes the lead in supporting artists’ mental well-being https://foxosmusic.com/sony-music-takes-the-lead-in-supporting-artists-mental-well-being/ Thu, 13 Jan 2022 01:00:19 +0000 https://foxosmusic.com/sony-music-takes-the-lead-in-supporting-artists-mental-well-being/ In Japan, where mental illness is still widely regarded as a taboo subject, the music unit of Sony Group Corp. launched a pioneering project to provide its signed artists with mental and physical health care. The company, which has stars such as LiSA and Akiko Yano in its books, has acted in response to the […]]]>

In Japan, where mental illness is still widely regarded as a taboo subject, the music unit of Sony Group Corp. launched a pioneering project to provide its signed artists with mental and physical health care.

The company, which has stars such as LiSA and Akiko Yano in its books, has acted in response to the toll the coronavirus pandemic has taken on the professional lives of performers.

As artists’ working styles and contracts vary, taking care of their health is primarily the responsibility of the artists themselves or their talent managers, unlike workers in companies, whose employers offer them regular health check-ups.

As part of the new program which began in August 2021, Sony Music Entertainment (Japan) Inc. is offering its artists and creators free 24-hour online medical advice, face-to-face counseling, and physical and mental exams. regular.

Shinji Obana, vice president of global business strategy at SMEJ, says the kind of support provided by the new initiative, dubbed the ‘B-side’, is very difficult to find in Japan, unlike in Europe and the United States. , where music companies cooperate with non-profit organizations to support the mental well-being of their artists.

“The regular mental checkups, which started as a trial in the spring (of 2021), have been very well received by the artists,” Obana said, adding that some said they appreciated the company making the effort. because there had been no action like this before.

Industry adviser Yuri Ishii said the presumption that artists are happy to endure long working hours and other struggles they face in the pursuit of their music is detrimental to mental well-being. interpreters. | KYODO

“The number of people receiving advice is still small and cannot be disclosed, but artists, designers and staff are gradually starting to use it,” he says. Currently, approximately 400 to 500 people are eligible to take advantage of B-side’s services.

Obana says the coronavirus pandemic prompted SMEJ to take action as the company’s talent manager department “expressed the need to help their artists as an organization” because of the difficulties artists face. to organize concerts and fulfill their role as performers.

The company also plans to hold internal workshops for all employees to raise awareness about mental health and create an environment where people can talk more openly about the topic within the company.

Advisors who have worked in the music industry have hailed the B-side initiative as “revolutionary” in a country where people are reluctant to talk about mental health issues.

But they say the measures are not enough to fundamentally improve the situation.

Yuri Ishii, an industry advisor who has worked at major record companies for over 30 years, including as an executive, says people in leadership positions in the industry need to drop certain assumptions, to knowing that artists are happy to work long hours because music is what they love. and that the difficulties they face go with the job.

She says many older people in the industry still expect young artists to endure and overcome hardships to build a career, based on their own experiences of surviving long hours of work and harassment to succeed. .

“Such hard work has paid off in the past, as the results have followed an economic boom, but for those under 40, it doesn’t necessarily work,” Ishii said.

Young artists now have a variety of career goals, ranging from performing in large concert halls to showcasing their work online, but if their elders don’t understand these changing aspirations it can lead to harassment, including imposing an unsustainable working style for young talents. artists, she said.

Performers are also likely to believe that anxiety or pain is a necessary source of creativity, a view often shared by fans and producers. Adding to the pressure of creating a new song today, the artist is expected to promote it on social media whether he likes it or not, experts say.

Masahiko Teshima, artist turned industry advisor and teacher at the Muse Academy of Music in Tokyo, says the weight of such an expectation could prevent artists from getting the rest they need, even if they feel stressed.

Industry adviser Masahiko Teshima says that many artists he knows see the use of social media as a heavy burden that makes them vulnerable to online harassment.  |  KYODO
Industry adviser Masahiko Teshima says that many artists he knows see the use of social media as a heavy burden that makes them vulnerable to online harassment. | KYODO

Teshima says that many artists he knows, including those who graduated from his school, find using social media services “a heavy burden,” in part because it makes them more vulnerable to abuse. online attacks.

While Sony Music’s initiative has been important, he says, it is also a “transition time” for fans to learn more about mental health, as such knowledge “could act like a brake ”and prevent someone from sending abusive messages directly to an artist.

“If the fans, artists and record companies can create a basis of respect for the health of artists, I think the situation will improve,” Teshima said.

Advisors in Japan say many of the underlying issues are common to other industries, and public awareness of mental health care can be heightened if more artists become able to speak about their importance. They cited examples from overseas, such as American singer Billie Eilish or South Korean boy band BTS, who spoke openly about the challenges they face.

Teshima says artists are often described as “a canary in a coal mine” because they tend to suffer before others in society in exchange for starting something new.

“Japanese society lacks knowledge about mental health, but is prejudiced against it,” Teshima says. “But I hope the potential of music and the arts will provide a signal for a big change.”

Obana of Sony Music said the company is willing to share its experience and collaborate with other companies in the industry. It is also open to cooperation with healthcare organizations to support artists, as is already happening in Europe and the United States.

“I think a lot of people have realized in the midst of the pandemic how much entertainment is helping them,” Obana said. “We want to create a better environment in which the artists, who have encouraged us, can work while remaining healthy.”

In accordance with COVID-19 guidelines, the government is urging residents and visitors to exercise caution if they choose to visit bars, restaurants, concert halls and other public spaces.

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Gattu 22 aka “Abhishek Sharma” talks about being a successful musical artist https://foxosmusic.com/gattu-22-aka-abhishek-sharma-talks-about-being-a-successful-musical-artist/ Tue, 11 Jan 2022 06:03:33 +0000 https://foxosmusic.com/gattu-22-aka-abhishek-sharma-talks-about-being-a-successful-musical-artist/ Gattu 22 is a young and talented musician, singer, model and producer. He is the founder of Flying Record, a music production company that released hit songs and brought great singers to audiences. Gattu has worked hard to achieve his goals in the music industry. This young Indian musical talent bewitched the audience with his […]]]>

Gattu 22 is a young and talented musician, singer, model and producer. He is the founder of Flying Record, a music production company that released hit songs and brought great singers to audiences. Gattu has worked hard to achieve his goals in the music industry.

This young Indian musical talent bewitched the audience with his haunting voice, making them fall in love with his songs. Becoming an elite singer at such a young age and pushing forward to wow a mammoth of audiences and listeners wasn’t a walk in the park for him, but he went all out and kept going. to jostle each other, to emerge as one of the best talents in the industry. . He says most industries today are teeming with many young people. However, being able to create your own niche in their respective industry is not something people have achieved overnight, but it is their hard work and a never give up attitude that has helped a lot of people. between them to stay ahead of others and reach the peak of success.

Gattu 22 tracks “the real peg”, “kuware”, “nishane te yarane” went ahead giving it incredible success and a unique identity in the music world. It is interesting to know that gattu 22 has also been an Indian model which has demonstrated its prowess by working with many brands from all industries. As a singer he has proven himself in the music scene which propelled him forward and allowed him to achieve phenomenal success.

As a producer, gattu 22 has made some good decisions that have benefited him and the artists who have worked with some. Some of the popular flying disc songs are yaar mere, party hymn, jammu aali, bum bole bum. It’s been a year since he started his journey as a producer, and his channel’s clips have received millions of views.

Follow: https://instagram.com/gattu22_?utm_medium=copy_link

Continue reading on The India Saga.

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Kenton Ridge High School Student of the Week https://foxosmusic.com/kenton-ridge-high-school-student-of-the-week/ Sun, 09 Jan 2022 05:08:06 +0000 https://foxosmusic.com/kenton-ridge-high-school-student-of-the-week/ Claim to fame / honors: Principal student of the Marching Cougar Band, member of the National Honor Society and the Spanish Honor Society. Words you live by: “When we are no longer able to change a situation, we are challenged to change ourselves. -Viktor Frankl Most difficult challenge: Navigate through the pandemic as a high […]]]>

Claim to fame / honors: Principal student of the Marching Cougar Band, member of the National Honor Society and the Spanish Honor Society.

Words you live by: “When we are no longer able to change a situation, we are challenged to change ourselves. -Viktor Frankl

Most difficult challenge: Navigate through the pandemic as a high school student and try to stay positive and upbeat.

Biggest influence: my parents, John and Kristin Crankshaw

School day rituals: I always listen to Taylor Swift on the way to school.

What is on the walls of your bedroom: beach decor and lots of pictures from my friends.

When I’m bored, I like … driving to yellow springs with my friend jackson.

Favorite movie: Me before you

Person who would play you in a movie: Emma watson

Favorite TV Show: New girl

Favorite musical artist: Taylor Swift

Favourite book: The sun and its flowers by Rupi Kaur

Homemade Favorite Food: my mother’s potato soup

Favorite restaurant: The Lucky Dragon in Yellow Springs

In what spirit would you like to read: Adele

Place where you would like to travel: Corfu, Greece

Talent you would like to have: know how to play the piano

Preferred school subject: English

Favorite athlete: Megan Rapinoe

Favorite team: United States National Women’s Football Team

Something in the world that I would like to change: animal cruelty laws

Favorite time in high school: when my best friend’s pants fell off during our band’s halftime performance, which was on live TV.

Favorite junk food: Honey mustard and onion pretzels

Best thing about high school: is being able to look back on all the relationships I have built and the memories I have made with the people I love.


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Producer Sultan Banks created the hymns for Bay Area Hyphy https://foxosmusic.com/producer-sultan-banks-created-the-hymns-for-bay-area-hyphy/ Fri, 07 Jan 2022 18:09:49 +0000 https://foxosmusic.com/producer-sultan-banks-created-the-hymns-for-bay-area-hyphy/ The start of the new year has brought disheartening news that Sultan Banks, better known as producer Traxamillion, passed away on January 2 in Santa Clara after a battle with nasopharyngeal cancer. He was 42 years old and according to KQED, will be sadly missed by his 19 year old son and his father. Over […]]]>

The start of the new year has brought disheartening news that Sultan Banks, better known as producer Traxamillion, passed away on January 2 in Santa Clara after a battle with nasopharyngeal cancer. He was 42 years old and according to KQED, will be sadly missed by his 19 year old son and his father. Over the past four days, the hip-hop community has mourned the death of Banks, the most recent loss of a rap icon before its time.

On numerous hip-hop records, Traxamillion has helped create a unique sound that made the people of the Bay Area proud, distinguishing the music scene from the East Coast, Southern and Southern California region. . The many people who have shared their memories and grief over the past few days remind us that Traxamillion was not only one of the most important innovators of the Bay’s unique musical sounds, but above all he was someone that people knew as a friend.

In his interview with KMEL in 2016, Traxamillion said that making music is “A blessing. “The ideas came to him as a feeling, and the listeners were swayed to keep the energy going.

His 2006 album The Slapp Addict featuring other giants of the Bay Area hip-hop community, including a collaboration with Zion I for the song From top to bottom. Like Sultan, Stephen “Zumbi” Gaines of Sion I died very young last year. Sultan also brought together San Quinn from San Francisco, Mistah FAB from Oakland and Turf Talk from Vallejo to Grown Man (remix). Would we even “get dumb at the sideshow” if it hadn’t been for another production of Traxamillion, the song by Mistah FAB and Too Short? The Sideshow?

Longtime friend and producer Marqus “DJ Fresh” Brown met Banks when he started his album series. Tonite’s show in 2006. The duo held online dj battles years before the popular musical series Verzuz entertained the masses on Instagram. They also collaborated by producing the mixtape for Mistah FAB Year 2006 (2018).

“Musically, he was always up for trying new things,” Brown said. “He was a pioneer. He helped usher in a new sound everywhere, all over the world. ”

Traxamillion was also the pioneer behind Keak Da Sneak’s distinctive bass beat. Super Hyphy, the namesake of a movement. Hyphy wasn’t all music. Those who knew the sounds Traxamillion and others created called it the Hyphy movement, an artistic and cultural shift symbolized by shaking locks, grates, 808 sounds, and performances.

“He was a pioneer. He helped usher in a new sound everywhere, all over the world. “

Marks “DJ Fresh” Brown

“He provided the soundtrack for the era, taking energy from the streets and putting it into a musical space,” said Kev Choice, musician and member of the Oakland Cultural Commission. “Letting the world hear what it looked like, he was an integral part of that aspect.”

As the Hyphy movement won national attention, The Bay Area slang had an unmistakable soundtrack. Every song is a reminder of that summer, that party, that first date, or that taco truck. “Going dumb” was rhythmic.

“It’s something about the basic, recognizable melodies,” Choice said. “It’s nostalgic for us because it takes us back to a certain period. It reminds us of our culture, our neighborhood, our community and takes us to certain spaces. Hyphy’s music was the inspiration for Choice’s live shows featuring his band with the Oakland Symphony in 2019.

Traxamillion’s discography shows a range of its production capacity and highlights different community identities. Technological boom (2016) was his way of representing these from the south bay and his hometown of San José. In 2020, he produced an entirely instrumental album, Super Beat Fighter, based on the sounds of the Street Fighter video game. His most recent work, Sirens, featured all the female artists, including the one from San Francisco Qing Qi, who in an interview with KQED said Traxamillion has broken down gender barriers in an industry dominated by men.

” These songs [Hyphy music] are now the Anthem of the Bay. said artist Jorge Béjarano, who created a 13-foot canvas painting for Traxamillion’s house, connecting San Jose and Oakland, two cities he loved. “The hyphy movement grabbed me in high school and was the top of the shows for us,” Bejarano said. “It cut everything else and it was just hyphy movement for a while.”

Oakland R&B Artist Netta Brielle, also present on Sirens, recalled that Banks enjoyed experimenting with different sounds, including 80s pop music. It was Sultan’s production on Brielle’s mixtapes that earned him a recording contract with Atlantic Records.

“He was so excited to be a part of something that was influenced by R&B, that had vocals and bridges and harmonies, things outside of what he normally did,” Brielle said. “He’s not just the hyphy sound, that sound he was locked into. He was so much more.”

Behind the music there was a man who was cherished by the people he met. Her passing was accompanied by a wave of appreciation and love. Friends shared that Banks had maintained an even temper and a positive outlook even before he began to face his challenges with cancer.

Whenever Bejarano went to work on the mural in Banks’ house, the two had conversations about music and life in Oakland.

Sultan “Traxamillion” Banks (left) and Marqus “DJ Fresh” Brown. Credit: Courtesy of Marqus Brown

“I admired this peace he had everywhere we went,” Bejarano said. “There was nothing that turned him on too much, or that turned him on too much.”

Brown described Banks as “a warm guy” and mostly introverted. Banks didn’t have a big entourage and enjoyed spending time alone, which he explained was common for a producer. “I never saw him angry,” Brown said. “When we had conversations about playing music, he would express his frustrations. But I never saw him angry.

“He was just a classy guy and such an honor to work with,” Brielle said. Outside the studio, Brielle said Banks gave her confidence, encouraging her artistry. A few weeks before her passing, Banks called Brielle to express her gratitude for the opportunity to experiment musically and continued to share her new music tracks with her.

“It wasn’t just a working relationship. It was like a partnership, a friendship and a family, ”she said. “It’s not something that is popular when you think of the music industry.”

The interlude My angels, from Brielle’s 2015 album 580, was a song Banks told her reminded her of her mother, Tina Banks, who passed away in 2020. “Now that song for me close my eyes and see it,” Brielle said. “I never finished [the song]. But maybe I will now.

Kind words and shared love were not lacking for the man who helped usher in a new sound to represent the Bay Area. Traxamillion’s love for the Bay Area has created a sound memory for its community.

“He’s been at peace, and that’s a cliché to say, but he’s at peace now,” Brown said.



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David Bowie Estate Sells Entire Edition Catalog https://foxosmusic.com/david-bowie-estate-sells-entire-edition-catalog/ Mon, 03 Jan 2022 16:07:46 +0000 https://foxosmusic.com/david-bowie-estate-sells-entire-edition-catalog/ The David Bowie estate sold the worldwide publishing rights to the late rocker’s robust catalog to Warner Chappell Music in a deal valued at more than $ 250 million. The deal includes songs from Bowie’s 26 studio albums, from his self-titled 1967 debut to his 2016 album. Black Star, released two days before his death. […]]]>

The David Bowie estate sold the worldwide publishing rights to the late rocker’s robust catalog to Warner Chappell Music in a deal valued at more than $ 250 million.

The deal includes songs from Bowie’s 26 studio albums, from his self-titled 1967 debut to his 2016 album. Black Star, released two days before his death. It also includes the posthumous studio album Toy, which releases Friday, the two studio albums released by the hard rock band at the head of Bowie Tin Machine and various singles from the soundtracks and other projects.

Warner Chappell, a subsidiary of Warner Music Group, did not disclose details of the deal, but sources said Variety that Bowie’s publishing rights were “over $ 250 million.” Last year, Warner Music secured the global licensing rights to Bowie’s catalog of recorded music from 1968 to 2016, an agreement that will take effect in 2023. The company now owns all of Bowie’s work as a songwriter and recording artist.

Financial Time reported in October that Bowie’s catalog had sparked a bidding war, as several companies purchased the publishing catalogs of mainstream artists in recent years. Last month, ZZ Top sold its “entire musical interests” to BMG and KKR for an estimated $ 50 million. Almost exactly a year ago, Hipgnosis Songs Fund snatched up half of Neil Young’s catalog for $ 150 million.

Other recent edition sales include Motley Crue ($ 150 million), Stevie Nicks ($ 100 million), Bob Dylan (est. $ 300-400 million) and Bruce Springsteen, who sold his masters and its publishing catalog for $ 500 million last month.

Bowie earned a reputation as one of rock’s greatest shape-shifters during his roughly five-decade career. Its catalog includes canonical hits such as “Space Oddity”, “Changes”, “Rebel Rebel”, “Ziggy Stardust”, “Fame”, “Golden Years”, “Let’s Dance”, “Modern Love” and many more. . The edition sale was another victory for Warner Chappell, who also acquired the catalogs of Bruno Mars, Cardi B, Quincy Jones and the Estate of George Michael, among others.

David Bowie Albums Ranked

David Bowie isn’t just rock’s greatest chameleon; he is also one of the most imaginative conceptual artists in music.


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Ariana Grande follows Rachel Zegler on Instagram (As She Should) https://foxosmusic.com/ariana-grande-follows-rachel-zegler-on-instagram-as-she-should/ Sat, 01 Jan 2022 20:54:26 +0000 https://foxosmusic.com/ariana-grande-follows-rachel-zegler-on-instagram-as-she-should/ Rachel Zegler is the star of West Side Story, with the actor even releasing original music on YouTube and Spotify. As a result, Zegler has gained some impressive social media following, including one from the Thanks, Next artist Ariana Grande. Rachel Zegler played the role of María in Steven Spielberg’s “West Side Story” Rachel Zegler […]]]>

Rachel Zegler is the star of West Side Story, with the actor even releasing original music on YouTube and Spotify. As a result, Zegler has gained some impressive social media following, including one from the Thanks, Next artist Ariana Grande.

Rachel Zegler played the role of María in Steven Spielberg’s “West Side Story”

Rachel Zegler attends 15th Annual CNN Heroes: All-Star Tribute at American Museum of Natural History | Dominik Bindl / Getty Images

Zegler is known to many as the young actor of Steven Spielberg West Side Story. In this production, Zegler starred alongside Rita Moreno, Ariana DeBose, David Alvarez and Ansel Elgort.



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Background music to dance to https://foxosmusic.com/background-music-to-dance-to/ Fri, 31 Dec 2021 05:00:36 +0000 https://foxosmusic.com/background-music-to-dance-to/ Album:Interior Artist:Dazed teen Label:Cascine Kind:Electronic French electronica has a lot to answer. The announcement of Daft Punk’s retirement last February after nearly three decades of creating club and pop anthems has become one of the greatest musical stories of 2021. Jean Michel Jarre, Laurent Garnier, Étienne de Crécy, DJ Falcon, Justice, Phoenix, M83, Air and […]]]>

Album:
Interior

Artist:
Dazed teen

Label:
Cascine

Kind:
Electronic

French electronica has a lot to answer. The announcement of Daft Punk’s retirement last February after nearly three decades of creating club and pop anthems has become one of the greatest musical stories of 2021. Jean Michel Jarre, Laurent Garnier, Étienne de Crécy, DJ Falcon, Justice, Phoenix, M83, Air and Cassius all also hail from our closest neighbor in the EU.

Teen Daze is the musical alias of Canadian electronic artist Jamison Isaak, who became obsessed with music videos by these artists as a teenager. Isaak is also inspired by house, glitch, ambient, indie pop and everything you experience yourself. Since 2010, he regularly publishes releases and attracts the attention of Pitchfork.

Interior, which Isaak describes as “an album of first loves refracted through prisms of wisdom, hurt and wonder”, is a smooth and silky distillation of his sound. The first single Swimming is a hypnotic slice of sweet ambient house on a propulsive glitch-style beat.

sweet place

For the most part, the interior glides pleasantly at a comforting and steady pace. It’s not a collection of dancefloor bangers or some other lying ambient odyssey, but inhabiting a sweet spot somewhere in between. Isaak himself describes it quite precisely as background music that you can dance to.

Interior also features elements of chillwave, an absurdly nicknamed musical micro-genre that emerged in the late 2000s mimicking 1980s electropop and designed to purposefully evoke nostalgic feelings. Teen Daze’s 2015 album Morning World was produced by John Vanderslice (who was responsible for a controversial track called Bill Gates Must Die) and featured more indie pop sensibilities and Isaac’s own voice. This places him alongside David Holmes and the late Andy Weatherall as DJs and producers who have become confident enough to sing with their own voices.

International hubs

Speaking of vocals, Montreal electropop artist Cecile Believe (formerly known as Mozart’s Sister) appears at 2 a.m. (Real Love). To date, Teen Daze’s profile has mostly been confined to the North American and Canadian sides of the Atlantic with a few sporadic appearances in major international dance music centers such as Berlin, Tokyo and London. It remains to be seen whether this very prolific artist, who has released no less than 10 albums and dozens of EPs, is starting to resonate with a global audience.

The interior does not reinvent the wheel or match the inventive heights of the aforementioned Gallic giants, although it does drive well, providing a home listening experience reminiscent of better times and sunnier climates in a gloomy winter. .


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Issa Rae calls the music industry “the worst industry I have encountered” https://foxosmusic.com/issa-rae-calls-the-music-industry-the-worst-industry-i-have-encountered/ Mon, 27 Dec 2021 18:17:00 +0000 https://foxosmusic.com/issa-rae-calls-the-music-industry-the-worst-industry-i-have-encountered/ Issa Rae, whose five seasons with HBO’s “Insecure” ended in a finale this weekend, has plunged more than one toe into the music business. She has started her own record company, Raedio, and produces a new show about budding rappers and uses her existing one to launch a musical career. But rather than be thrilled […]]]>

Issa Rae, whose five seasons with HBO’s “Insecure” ended in a finale this weekend, has plunged more than one toe into the music business. She has started her own record company, Raedio, and produces a new show about budding rappers and uses her existing one to launch a musical career. But rather than be thrilled to jump into another industry, Rae makes it seem like she’s stepped into a viper’s lair.

“It’s probably the worst industry I’ve been to. I thought Hollywood was crazy. The music industry has to start all over again. There are a lot of conflicts of interest. Archaic mindsets. Wicked and criminals! It’s an addictive industry, and I really feel for the artists who need to get into it.

When asked if the music business is “a place where great ideas flourish,” Rae replied, “Absolutely not. It is probably the worst industry I have ever encountered ”, she said. told the Los Angeles Times’ Mikael Wood in a Q&A on his personal and professional experiences with music.

It is probably the worst industry I know of. I thought Hollywood was crazy. The music industry has to start all over again. There are a lot of conflicts of interest. Archaic mindsets. Wicked and criminals! It’s an addictive industry, and I really feel for the artists who need to get into it.

“I thought Hollywood was crazy,” Rae continued. “The music industry has to start all over again. There are a lot of conflicts of interest. Archaic mindsets. Wicked and criminals! It’s an addictive industry, and I really feel for the artists who need to get into it. … It was something shocking “to find out,” she said.

Rae did not express his dismay at the music industry beyond generalities, but did indicate that his feelings were based on a combination of his own experiences creating soundtracks and hearing artists talk about it. that they treat regularly. “I don’t want to be too specific, but even making our own appointments [for soundtracks] with labels or artists, it would be so complicated. And to know how the artists were treated on other labels… When I myself am a creator and I know what I want in relation to a relationship with a production company or a producer, I like to think that we’re more artist-friendly than a lot of other brands and companies out there. I want to renew things.

Rae also hit the Grammys in the interview and singled out one particular record that she believed was unfairly snubbed. “What really depresses me – and it fits Hollywood – is the way music is rewarded. When I think of the Grammys and those other systems designed to reward artistic creativity and uplift artists, I think to myself simply, “You don’t all understand. What are you rewarding?” It’s silly, but I say it anyway: a song like [Wizkid’s] “Essence” – absolutely a powerhouse, and yet couldn’t be properly recognized by the institution that’s supposed to celebrate the best in music – which trips me up. Seeing black people and our contributions to music not being celebrated the way they should be – I mean, these aren’t institutions for us. “

Rae had many kind words for the individual artists in the interview, pointing out, naturally, the 2021 hits of Jazmine Sullivan, who recorded a title song for “Insecure” in Season 2 with Bryson Tiller, saying: ” She’s literally pure talent. ”Rae also cited Don Toliver and Cleo Sol as this year’s personal music favorites.

Thinking back on the show, Rae said, “We highlighted female singers and rappers in a distinct way while others weren’t – I’m thinking of TT the Artist and Kari Faux in season 1. .… That was one of the mandates – LA artists, independent artists. Kier (Lehman, the show’s music supervisor) introduced me to so many new artists that I felt like I got the sound of the show. And then, of course, I do my own research for the people I love. As a music lover, nothing turns me on more than feeling like an artist first.

In a separate interview with the newspaper, Rae talked about the HBO Max series she just finished filming, “Rap Sh * t”. The new series, in which she does not appear on camera, has the two members of hip-hop duo City Girls as executive producers.

“It’s happening in the world of independent music and it’s a whole different world, a very different story of still being friendship, but trying to make it an industry that doesn’t see it for you,” Rae said. at the Times. “So in some ways there are parallels to my own background, but the world of music is so different, twisted and crazy, as I learn it myself.”

Rae announced his partnership with Atlantic Records for the Raedio label in October 2019. The first artists on the list included TeaMarrr and Yung Baby Tate (who later shortened his name to Baby Tate and moved on to programming at Warner Records) . Raedio’s most recent version, “Insecure: Music From The HBO Original Series, Season 5,” was released on December 5th. The soundtrack of the final season included a new track from TeaMarrr and a new single from Saweetie, “Get It Girl”, as well as contributions from Thundercat, They, Nnena, Josh Levi, BK Habermehl, Mereba and others.


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Spotify believes MENA will drive streaming future: Claudius Boller https://foxosmusic.com/spotify-believes-mena-will-drive-streaming-future-claudius-boller/ Sun, 26 Dec 2021 01:00:25 +0000 https://foxosmusic.com/spotify-believes-mena-will-drive-streaming-future-claudius-boller/ Spotify, the leading audio streaming platform, earlier this month unveiled the top artists, albums, songs, playlists and podcast genres from the creators who helped make the soundtrack of the year for more. of 381 million users worldwide. This year’s “Wrapped” report came to life through Spotify’s in-app experience, outside creations, and collaborations with content creators […]]]>

Spotify, the leading audio streaming platform, earlier this month unveiled the top artists, albums, songs, playlists and podcast genres from the creators who helped make the soundtrack of the year for more. of 381 million users worldwide. This year’s “Wrapped” report came to life through Spotify’s in-app experience, outside creations, and collaborations with content creators like Khaled Mokhtar. Additionally, there will be a viral dancing cactus activation at City Center Almaza on the last two weekends of the year.

Taking a closer look at the top-circulating lists in 2021 in the Middle East and North Africa (MENA), Daily News Egypt spoke with Spotify’s managing director for the region, Claudius Boller, and label manager. and partnerships for the MENA region, Wissam Khodur.

Boller and Khodur both discussed the latest trends in the music scene and what “Wrapped 2021” has said about Arab music listeners.

Can you give details on the situation of music streaming in the MENA region (Arab countries)? What are the most listened to songs here?

Boller: We launched in the MENA region three years ago and we were blown away by how fans and creators engaged with our platform. It has been inspiring to see the emergence of a new generation of artists over the past few years. Seeing how their music increasingly crosses borders on Spotify is a reflection of our deep commitment to Arab creators, where we are constantly looking for ways to strengthen their connection with a global audience. We have also recently expanded to Libya and Iraq, to ​​further support local artists and foster the local music scene. We believe this region is the future of streaming.

Khodur: The MENA region is so diverse, with nuances varying from region to region. Huge growth has been seen in hip-hop streaming in North Africa and Egypt. We also see local rappers in Palestine top the list as well. The genre Sheilat is making a comeback in the Gulf region and has made its way into the mainstream and in Jordan the love for indie continues to grow.

The most popular song in Egypt this year was “Ghaba” by Marwan Pablo, followed by the viral hit “Astronaut In The Ocean” by Masked Wolf. Wegz’s “Asyad El Soot”, Marwan Pablo’s “CTRL” and Afroto’s “Msh Bel 7ozzoz” also top the lists. Four of the top five hits are local hip-hop hits, and that tells us a lot about the genre’s trajectory. We are seeing similar trends in Morocco, the region’s largest rap market. Rapper ElGrandeToto’s “Mghayer” is the most listened to song in Morocco and of course CKay’s “love nwantiti” (feat. ElGrandeToto) landed at number two with Tagne’s “Nadi Canadi”, Inkonnu’s “7ali Ya 7ali” and ElGrandeToto made another appearance on the list with “Haram (Pablo II)”.

In the United Arab Emirates, the scenario is very different, as this market is more westernized, with a large expat community. So it was no surprise to see Lil Nas X, Masked Wolf, The Kid LAROI, Dua Lipa and Olivia Rodrigo dominate the Wrapped songlist. The United Arab Emirates’ Gulf neighbor, Saudi Arabia, has once again shown its openness to international music including K-Pop, while spending the year listening to local tunes such as “Leh Al- Jefaby Abdullah Al Farwan and “Ashkar Jamalek” by Abdullah Al Mukhles.

In the Arab world, according to data from Wrapped 2021, the most popular artist is ElGrandeToto, followed by Egyptian rapper Wegz. Amr Diab is among the top 5 most popular artists, further emphasizing his timeless heritage.

In the MENA Wrapped lists, the majority of artists are from Egypt and Morocco, so it will be interesting to see how these two countries continue to develop as front-runners for the region in the years to come.

Who is your target audience? Which segment is the most engaging with Spotify?

Boller: Our intention is to reach everyone and our platform is open to everyone. That being said, we know the region has a young, tech-savvy population, very engaged with Spotify and always on the lookout for new content. Our listeners in Egypt are actively creating their own playlists, sharing song recommendations with their friends through our collaborative playlists. We’ve also just launched Lyrics, which makes it easier for them to play their favorite songs.

Khodur: It is also important to note that we are seeing high engagement of listeners outside of the MENA region with artists from the MENA region. For example, a Saudi indie artist called Hajjaj was featured on the cover of Spotify’s global flagship playlist, “Fresh Finds Pop” and Moseqar from Egypt generated great interest, which has been added to various Lo- playlists. Global Fi.

Has the COVID-19 pandemic affected the number of subscribers on the platform?

Boller: Culture happens at Spotify and we see it every day on our platform. Since the pandemic, our listeners have adopted new habits and consumption patterns. As a result of curfews and closures around the world, we have seen, for example, a drop in car streaming during the early stages of the pandemic. We’ve also seen listeners increasingly tune in to wellness and meditation content as they use audio to relieve stress. Family-related content has also increased, with families spending more time together at home. Despite the pandemic, streaming continues to grow, and as our third quarter earnings report shows, our monthly active users are up 19% year-over-year.

Do you plan to host live concerts on Spotify?

Boller: We currently have no plans for live concerts in the region on Spotify. Earlier this year, we launched Greenroom, as we are constantly reiterating and innovating future audio formats to empower creators and their fans to connect in new ways. We build Greenroom with the creators and artists who make Spotify great in mind, maximizing interactivity and deep connections between attendees in the live rooms, where all creators can come together and host live discussions. In these virtual rooms, you can talk about what you love with artists and fans who share the same interests. If you want to see your favorite artist perform, we have our own Spotify franchise called “60 Second Concert” with a wide range of regional artists singing their latest releases to their fans.

Can you tell us more about your “Sawtik” initiative?

Khodur: We have seen for a long time that the number of Arab female artists decreases over the years, especially among emerging artists. We decided to do some research to better understand the status of Arab female artists and the barriers emerging artists face when it comes to pursuing a career in music. We’ve partnered with Nielsen, a global data and information company, to conduct market research with artists, listeners and music experts. We also sent a separate and anonymous survey to music labels based in the MENA region. The research results revealed that there is still a long way to go when it comes to gender equality in the music industry. We felt that there was a need for initiatives like Sawtik to provide emerging female artists with the support they need to start their careers. We launched Sawtik with the intention of bringing more visibility to emerging female artists by giving them access to on / off platform marketing support, education, networking opportunities and labels to discover them.

Through our Sawtik playlist, we wanted to create a destination for emerging female artists to amplify their music and for our listeners to discover their work locally and globally.

What criteria do you use to select participants?

Khodur: First of all, the artist must be female, over the age of 18, has lived in the Arab world, or visits frequently. The artist must have an original song and must not be signed to a label. Artists can contact sawtik@spotify.com, and our Music team will add to the initiative artists who reflect the diversity of musical genres in the MENA region.

Why did “Perrie” gain such popularity in Egypt?

Khodur: It’s amazing to see Perrie thrive in a male-dominated genre like hip-hop. That’s what we need to see more of, a more inclusive scene. Perrie’s music carries that raw energy and she adds something special to any track she’s on. She’s also worked hard and produced new music which shows just how committed she is. His recent collaboration with Abyusif on “MAMLAKA” appears in Spotify’s Top 50 Egypt. Other than that, emerging female artists can learn from Perrie in regards to how she builds her fan base on Spotify, she constantly engages with her fans and invites them to listen to her music on Spotify. Our discovery tools have also improved the exposure of his songs by directing listeners to music they might like and it works by serving songs to our listeners based on their streaming history.

What sets the Egyptian public apart from the rest of the Arab world?

Khodur: Egypt has always been a powerhouse in terms of musical production and breaking up musicians. Non-Egyptian artists who wanted to be introduced to the region had to first enter Egypt, and once they got there, they did so regionally. Egypt has always been the fountain of Arab creativity from ancient times until today. Musical tastes in Egypt today show how the sounds mixing local hip-hop and Mahragant really resonate with young people. The narrative element of these songs is very strong and relevant. The Egyptians also like to follow global successes like the rest of the region.




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Ed Sheeran teases duo with Taylor Swift on new single The Joker and the Queen due out in 2022 https://foxosmusic.com/ed-sheeran-teases-duo-with-taylor-swift-on-new-single-the-joker-and-the-queen-due-out-in-2022/ Fri, 24 Dec 2021 01:35:00 +0000 https://foxosmusic.com/ed-sheeran-teases-duo-with-taylor-swift-on-new-single-the-joker-and-the-queen-due-out-in-2022/ Ed Sheeran teases duo with Taylor Swift on new single The Joker and the Queen due out in 2022 By Brian Gallagher For Dailymail.com Posted: 8:35 p.m. EST, December 23, 2021 | Update: 8:50 p.m. EST, December 23, 2021 Longtime friends Ed Sheeran and Taylor Swift appear to be working together again on Sheeran’s new […]]]>

Ed Sheeran teases duo with Taylor Swift on new single The Joker and the Queen due out in 2022










Longtime friends Ed Sheeran and Taylor Swift appear to be working together again on Sheeran’s new single, The Joker and the Queen.

Sheeran, 30, confirmed this week that The Joker and the Queen will be his next single (via The sun).

He also confirmed it will be a collaboration, with many believing he will team up again with longtime friend Swift, 32.

New single: Longtime friends Ed Sheeran and Taylor Swift appear to be working together again on Sheeran’s new single, The Joker and the Queen

Team up: He also confirmed it will be a collaboration, with many believing he will team up again with longtime friend Swift, 32.

Team up: He also confirmed it will be a collaboration, with many believing he will team up again with longtime friend Swift, 32.

“This is my next single, I’m super excited about it,” Sheeran said of The Joker and The Queen.

“I made a collaboration for this which will come out on New Years with someone I just love,” he added.

While he didn’t mention Swift by name, many point to the many clues that were left behind.

Collaboration :

Collaboration: “I made a collaboration for this which will be released in the new year with someone I love,” he added.

Sheeran released a music video for Overpass Graffiti from his album Equals, released in October.

This video showed a photo where the singer wore a black leather jacket with both a Joker and a Queen on the back.

The jacket also featured a badge with Taylor Swift’s name on it, directly above the Queen, leading many to believe they would collaborate on a duet for the song.

Name: Sheeran released a clip for Overpass Graffiti from his October album Equals

Name: Sheeran released a clip for Overpass Graffiti from his October album Equals

The video also features a newspaper homepage that features a headline by Taylor Swift and another headline that reads, “Sheerio Detectives See Signs Everywhere.”

The singers have been friends for nearly a decade, their first collaboration dating back to 2012 with Everything Has Changed for Swift’s original album Red.

They would tour together for most of 2013 and would collaborate again in 2017 on End Game with rapper Future for Swift’s Reputation album.

Front page: The video also features a front page of a diary that features a headline by Taylor Swift and another headline that reads:

Front page: The video also features a front page from a newspaper that features a headline by Taylor Swift and another headline that reads, “Sheerio Detectives See Signs Everywhere”

Their third collaboration came this year when they reunited for a new track Run, on Red (Taylor’s Version).

As for this new version of The Joker and the Queen, nothing indicates exactly when it will be released at the moment.

Swift re-recorded two of her first albums, Fearless (Taylor’s Version) and Red (Taylor’s Version) earlier this year.

Collab: Their third collaboration came this year when they reunited for a new track Run, on Red (Taylor's Version)

Collab: Their third collaboration came this year when they reunited for a new track Run, on Red (Taylor’s Version)

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